Audiences watch movies and read fiction hoping to be blown away—to go on emotional journeys so powerful they linger in the mind as lived experience. Learn to captivate readers of your own through...
Learn the ins and outs of writing for television—where the action is—from veteran screenwriter, playwright, and co-writer of Meet the Parents, Mary Ruth Clarke. With the proliferation of streaming...
Led by New York Times best-selling author Jennifer Keishin Armstrong, whose narrative nonfiction works include Seinfeldia, When Women Invented Television, Sex and the City and Us, and Mary and Lou and...
In this class you will birth, nurture, and release one brand-new flash fiction story. You will engage in extensive revisions of your work, and close readings and analysis of ten sudden fiction stories...
This course is designed for writers who want to develop a one-act play on which they have already begun work. This may include a script than runs anywhere from 20 to 40 pages in length. We will...
Course Description:
This course is designed for beginning or intermediate playwrights who want to explore and develop short form plays. Ten-Minute Play Festivals are happening all over the country...
Writers write because they have something to say, to convince others of their view of the human condition. There’s a message nagging at them, a message they feel compelled to get out into the world...
How is your good writing connected to how your readers read? Whatever your field or your audience, your writing style can meet your readers’ implicit expectations about how sentences, paragraphs, and...
We often hear about bringing emotional intelligence to our personal interactions and conversations, but what about our writing? In today's largely remote environment, we create and maintain...